Sure, “Yellowstone” may be using Beth’s sweeter moments toward Rip to symbolize just how much of a calming effect the cowboy has on her. Now happily married, Beth dreams about living somewhere other than Yellowstone for the remainder of their days. The only person she ever seems capable of having healthy conversations with is her now-husband, Rip. Although Beth knows he is unaware of these facts, she coldly reminds him that she isn’t his mother, reflecting the unfairness of Beth’s own life. He calls Beth “mama,” unknowingly triggering her insecurities about her infertility and role in her own mother’s death. In the season’s finale, the boy slips up. Throughout Season 4, Beth endures a rocky relationship with an orphaned pre-teen, who she takes in after meeting him at a hospital when visiting her comatose father. This instance isn’t the only time that Beth’s signature rigidness manifests itself. Again, this is a stranger, and her only crime here is enjoying breakfast with Beth’s father. This is best exemplified when Beth walks into her kitchen and unexpectedly meets Summer, a younger woman who slept with her father the night before.Īfter getting past the initial surprise and learning Summer was a guest, Beth says, “Dad, if you’re going to hire a hooker, would you please let me get you a good one?” Later in the scene, Beth tells Summer that she hopes she gets “ass cancer” and dies, causing Summer to leave. Beth, loved by fans for her damaged-yet-strong nature and quick wit, became a caricature of what she once was with cringy one-liners that seem almost forced. What about the writing? The Storytelling in “Yellowstone”įor starters, we all deserve a more carefully written Beth Dutton in the coming seasons. So, the sounds are fantastic and are arguably the best component of the show. Of course, it doesn’t hurt when one of the show’s most prominent characters is a talented musician in his own right. The film crew seems to have a real knack for knowing what song is needed to evoke the characters’ feelings. But, in short, “Yellowstone” has a valid claim for the best-sounding TV show on the air right now. At the end of Episode 5, Zach Bryan’s “Flying or Crying” felt perfect for riding off into the sunset.Īnd these are just a few examples. Cody Johnson’s “Dear Rodeo” added the depth necessary to understand Jimmy’s struggles with rodeoing. Tim McGraw’s “The Cowboy in Me” perfectly accentuated Jimmy’s experiences in Texas. Season 4 certainly did not disappoint in the music department. While not central to the plot, the most pleasant thing about “Yellowstone” is how well the soundtrack fits with its characters’ actions and the gorgeous natural backdrop that rural Montana provides. So, did Sheridan deliver? With 10 episodes of content to bear, let’s take a look at where the show’s creators excelled and where they could’ve done better. The audience was adequately primed for “Yellowstone” creator Taylor Sheridan to take his scenic cowboy drama to new heights. The stage for such record-breaking views was set with nearly every central character’s health being in question at the beginning of the season. Upon initial release, it topped the most-watched episodes of television mainstays like “Game of Thrones” and “The Walking Dead.” In fact, the opening episode of “Yellowstone” Season 4 garnered a whopping 8 million viewers across the United States. The show picks up after the wild conclusion to its previous season, which left the fate of many of its prominent characters in seemingly perpetual question. Viewers around the world were on the edge of their seats when “Yellowstone” made its highly anticipated return this past November.
0 Comments
Leave a Reply. |